The Worst Guitar Solo of All Time

A friend told me about this last night: in 2008, Guitar World listed the worst guitar solos ever. The top slot went to C.C. DeVille from a Poison live album, and it’s really something to hear. I laughed out loud three or four times. The entire solo is like a fantastic spoof of ridiculous hair metal shredding, except no one but a completely serious C.C. DeVille could have pulled it off.

Here’s Guitar World’s description:

Remember when you were in high school and your novice shredder best friend kept insisting he’d “almost nailed” Eddie Van Halen’s “Eruption” solo, and you’d be stuck in his room wanting to kill yourself as he tried to play it again and again? That’s a little what listening to C.C.’s jaw-dropping nine-minute solo spot is like. Only instead of your friend going “No, wait!” and starting over every time he fucks up, there’s an arena full of idiots loudly cheering him on. And just to show you the breadth of his chops, C.C. also throws in a messy attempt at some “Hot Club”–style gypsy jazz licks (Django Reinhardt would surely be envious of the tres magnifique tones C.C. coaxes from his pointyheadstocked ax), a touch of polka, some searing Miami Vice blues bends and, of course, several more dive bombs and two-handed tapping runs whenever inspiration fails. Completely devoid of taste, structure or steady tempo, this should be required listening for budding guitarists everywhere. Surely they can’t do any worse.

The final minutes remind me of a soft-lit meditation/training scene from a Steven Seagal movie, like when he’s preparing for the action ahead by sticking lighted incense acupuncture needles into his skin, and Kelly LeBrock is peeking in, admiring his discipline, and they’re about to make tender love before he goes on his elbow-breaking revenge mission.

My favorite part (how to chose?) is right after the jazzy cruise-ship section. There’s a brief pause, an artificially amplified roar from the crowd… and then the hair-metalist of hair-metal shriek notes to reignite the action. I’ve queued that section up below, but really: treat yourself to the whole nine minutes.

Maiden Returns

Who knows if it’ll be any good, but I’m looking forward to the first-ever double studio LP from Iron Maiden this September.

Three vinyl discs. Terrific Eddie cover. The closing song is eighteen minutes long. And with a world tour in 2016, my son and I will get to see them live, which is really what parenting is all about.
  

Precarity Rules

Irrational Radio No. 1: Spring Girl Mix

Here’s a seven-song Spotify mix featuring awesoma-power songs with female singers. Free of charge.

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Corelli’s Concerto Op. 6, No. 9

I played a lot of 18th-century music throughout the writing of BELL WEATHER. Today’s selection is from Corelli’s Concerto Op. 6, No. 9.

LISTEN HERE

corelli grossi

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Learn more about BELL WEATHER: A Novel (Henry Holt & Co., 2015)

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Albinoni’s Sonata Op. 2, No. 1

I played a lot of 18th-century music throughout the writing of BELL WEATHER. Today’s selection is from Albinoni’s Sonata Op. 2, No. 1.

LISTEN HERE

albinoni

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Corelli’s Sonata Op. 2, No. 12

I played a lot of 18th-century music throughout the writing of BELL WEATHER. Today’s selection is from Corelli’s Sonata Op. 2, No. 12.

LISTEN HERE

corelli archiv

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Johney, Cock Thy Beaver!

I played a lot of 18th-century music throughout the writing of BELL WEATHER. Today’s selection is the traditional song, “Johney, Cock Thy Beaver!”

LISTEN HERE

english country dances

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Learn more about BELL WEATHER: A Novel (Henry Holt & Co., 2015)

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Corelli’s Concerto Op. 6, No. 6

I played a lot of 18th-century music throughout the writing of BELL WEATHER. Today’s selection is from Corelli’s Concerto Op. 6, No. 6.

LISTEN HERE

corelli grossi

Note: Beats Music membership required; they offer a free two-week trial.

Learn more about BELL WEATHER: A Novel (Henry Holt & Co., 2015)

Order now: INDIEBOUND | B&N | AMAZON | iBOOKS

Corelli’s Concerto Op. 6, No. 9

I played a lot of 18th-century music throughout the writing of BELL WEATHER. Today’s selection is from Corelli’s Concerto Op. 6, No. 9.

LISTEN HERE

corelli grossi

Note: Beats Music membership required; they offer a free two-week trial.

Learn more about BELL WEATHER: A Novel (Henry Holt & Co., 2015)

Order now: INDIEBOUND | B&N | AMAZON | iBOOKS

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